Middle Eastern Horrors and the Future of Creature Features, DRACULA, DEAD BY DAYLIGHT, And More
In this Issue:
- Horror History: Middle Eastern Horrors and the Future of Creature Features
- Image of the Week: The Video Store Book Nook
- Tiny Bites – This Week’s Best Horror Headlines
- Things We Love: Mixtape Dreadful? Gayly Massacre?
- Hey, That’s Us! – Shudder in the News
Middle Eastern Horrors and the Future of Creature Features
By Zaki Hasan
With this week’s VOD release of The Djinn drawing on long-standing myths from the Middle East for the titular antagonist driving the film’s scares, one realizes how little modern movie horror comes from that region of the world. This is made doubly surprising when one considers just how many foundational, archetypal tropes of good and evil –– stories that have resonated for centuries through all manner of interpretations –– first originated there. As such, it seems an appropriate time to look at what other creatures and concepts can be pulled from Middle Eastern folklore to gain new or renewed resonance on the screen.
One such example is Humbaba, the terrifying beast antagonizing the title character in The Epic of Gilgamesh. Originating in ancient Sumerian texts dating back to 2100 BC, the literary Gilgamesh was inspired by a historic king but is the progenitor of what we’d call superheroes today, an epic hero gifted with strength, courage, and cunning. During his travels, he encounters and must defeat the horrifying Humbaba (aptly called “The Terrible”), a giant creature with the face of a lion, the claws of a vulture, and a body covered with scales. It’s the stuff nightmares are made of, and which digital technology has finally evolved enough to be able to depict realistically.
In a similar vein are Yajuj and Majuj. Known as Gog and Magog in Western texts, these creatures are described in Muslim texts as having clawed hands, hairy tails, and large, pointed ears, with numbers so multittudinous as to be unknowable. Supposedly imprisoned behind an unbreachable wall for an eternity by the great king Dhul-Qarnayn (alternately posited as either Cyrus the Great or Alexander the Great), it’s said that even now the hordes of Gog and Magog work diligently to free themselves, and when they finally breach the barrier it will portend the End of Days.
A bit more disturbing is the Qareen. Although part of Arabian beliefs prior to the birth of Islam, they are most known today due to being mentioned several times in the Quran. A spiritual double from the unseen realm (imagine looking in the mirror and seeing your reflection smiling back at you –– even if you’re not), Qareen are described as “Shayateen” (devils) who are said to be attached to every living person on Earth –– the word literally translates as “Constant Companion” –– with the aim of subverting their behavior.
Also chilling in the same vein are Ghūl (translation: ogre). Again predating Islam but since adopted into Muslim theology, these creatures are said to be the daughters of Iblis (the arch-demon called “As-Shaithan” or “The Devil”). Wandering graveyards and open expanses of desert, only their hooved feet identified them as demonic creatures, and their mission was to seduce and devour wary travelers after adopting a pleasing form. Of course, Ghūl has been westernized as “Ghoul,” and the grave-robbing, dead-eating iteration of that word is what birthed George A. Romero’s Night of the Living Dead and a half-century of zombie fiction, but its roots are just as terrifying –– maybe more so!
As the above represents only a fraction of the creepy concepts ripe for adaptation to the screen, it’s far past time that the crafters of creature features in Hollywood delved into Middle Eastern mythology for the next generation of cinematic scares. After all, there may be vast cultural and temporal difference separating us from these myths’ origins, but if human history tells us anything it’s that no matter where you look or when it happened, scary is scary.
Zaki Hasan is a member of the San Francisco Film Critics Circle whose film reviews and analyses have appeared in The San Francisco Chronicle, IGN, HuffPost, and Philly Weekly. He is also co-host of the MovieFilm and Nostalgia Theater Podcasts.
IMAGE OF THE WEEK
The Video Store Book Nook
We’re just madly in love with MechaMelissa’s horror-themed book nooks, such as her occult library. She’s currently working on a video store that’s packed with classic horror films. See the final product on her Instagram.
DRACULA, DEAD BY DAYLIGHT, AND MORE
Forbes is saying that horror will dominate this summer’s box office.
From the team that brought you Cam comes the next entry in the Faces of Death series.
Undergods director Chino Moya reveals how VHS horror films and underground raves shaped his life and debut film.
The Unthinkable is a fantastic film that very recently got its North American release. Watch an exclusive clip over at Daily Dead.
If you’re in Romania and need to get your COVID vaccination, why not get it at Dracula’s castle?
Barry Windsor-Smith has been working on his horror-thriller graphic novel Monsters for over three decades. Here’s a great preview.
Looking for something to read? Book Riot has a great list of six creepy dark fantasy books to haunt your imagination.
Lady Dimitrescu is still breaking the internet. Dani Bethea delves deep into the origins of the near 10-foot-tall villain.
The director of Frankenstein’s Army says that one of his creatures bears a striking resemblance to one found in Resident Evil: Village.
A few of CryptTV’s monstrosities are making their way to Dead By Daylight.
THINGS WE LOVE
Mixtape Dreadful? Gayly Massacre?
The amazing folks over at Gayly Dreadful have teamed up with the horror wizards at Mixtape Massacre to create a new shirt and sticker design where all profits go to the Transgender Law Center. Get this limited design before it’s too late!